No. 4 (2017)

View No. 4 (2017)

Spanish Contemporary Poetry (1975-2016): Affinities and Divergences

Alfredo Saldaña (coord.)

DOI: https://doi.org/10.71564/dh.vi4
Published: 2017-12-01

Foreword

  • Spanish Contemporary Poetry (1975-2016): Affinities and Divergences

    Alfredo Saldaña
    9-13
    DOI: https://doi.org/10.71564/dh.vi4.35

I. Transversal Questions

  • Poetry, a Glimpse in Voice

    Eduardo Milán
    17-26
    DOI: https://doi.org/10.71564/dh.vi4.36

  • The Silence of What Is Excluded from the Logos: the Other Side of Reality

    Jesús Soria Caro
    27-41
    DOI: https://doi.org/10.71564/dh.vi4.37

  • Metapoetry and Fiction in Contemporary Spanish Poetry: Classic Masks under the Postmodern Perspective

    Eva Álvarez Ramos
    43-58
    DOI: https://doi.org/10.71564/dh.vi4.38

  • On the Coexistence of Silence and Word: a Revision of Logofagia in the Spanish Poetry of the Last Decades

    Raúl Molina Gil
    59-77
    DOI: https://doi.org/10.71564/dh.vi4.39

  • Lyrical Spaces in the Last Spanish Poetry: from Heterotopia to Non-Place

    Luis Luna
    79-92
    DOI: https://doi.org/10.71564/dh.vi4.40

  • Poetic Insurgencies: Images of Activism in Poetry beyond Poetry

    Víctor Silva Echeto
    93-103
    DOI: https://doi.org/10.71564/dh.vi4.41

  • “There Will always be Suburbs”: towards a New Sublime Peripheral

    Cristina Gutiérrez Valencia
    105-125
    DOI: https://doi.org/10.71564/dh.vi4.42

  • Towards the Necessary Integration of Author’s Song in the Spanish Poetic System of the Last Third of the 20th Century: Theoretical and Methodological Proposals

    Javier García Rodríguez
    127-136
    DOI: https://doi.org/10.71564/dh.vi4.43

II. Particular Questions

  • In the “Dynamite Factory”: Poetry and Ethics in José Ángel Valente

    María Clara Lucifora
    139-152
    DOI: https://doi.org/10.71564/dh.vi4.44

  • The Blind Words: Approach to Antonio Gamoneda’s Poetics

    María Pérez Heredia
    153-170
    DOI: https://doi.org/10.71564/dh.vi4.45

  • Leopoldo María Panero, Translator of Terror

    Miguel Casado
    171-185
    DOI: https://doi.org/10.71564/dh.vi4.46

  • The Dreamer of Distant Ears of Antonio Colinas or the Memory of Poetry

    Clara I. Martínez Cantón
    187-200
    DOI: https://doi.org/10.71564/dh.vi4.47

  • Doncel according to Doncel: Poetic Thinking and Author Reinvention

    Fernando Andú Resano
    201-216
    DOI: https://doi.org/10.71564/dh.vi4.48

  • Two Poetics of Truth in the New Century: Daniel Izquierdo Clavero and Ana Martínez Mongay

    Antonio Pérez Lasheras
    217-226
    DOI: https://doi.org/10.71564/dh.vi4.49

Articles

  • Thanatic Eros in Paradiso by José Lezama Lima

    Edinson Aladino
    229-243
    DOI: https://doi.org/10.71564/dh.vi4.50

  • From the Literary Piece to the Motion Picture Perspective: Humor and Terror in The Tower of the Seven Hunchbacks

    Mohamed Ben Slama
    245-267
    DOI: https://doi.org/10.71564/dh.vi4.51

  • Nom de Nom, Descend from your Throne! Onomastics at the Service of Caricature in José Fonollosa’s Parodia de tronos

    Sonia Fournet-Pérot
    269-280
    DOI: https://doi.org/10.71564/dh.vi4.52

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